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FOTOFORMAS DE GERALDO DE BARROS

THIERRY HÄUSERMANN
DANIEL GIRARDIN
LONDON, 2015


This volume titled by the name of one of Geraldo de Barro’s most famous photography exhibitions, combines photographic material from the 1950s with works completed shortly before the artist's death in 1998, exposing the intensity and diversity of this unconventional artist. In a short period of only a few years de Barros had transformed a range of ideas into reality, staying clear of the conventual status quo. He combined playfulness with the strict rules of design, made private moments in his life into public property and combined rational design with desires, linking rationality and emotionality.