Table Lamp Model “Cestita”
Manufactured by Tramo and Polinax
Spain, 1962
Manila cane, polypropylene shade, metal

Measurements
22 × 22 × 34h cm (44h cm including raised handle)
8,6 × 8,6 × 13,4h in (17,3h in including raised handle)

Provenance
Private Collection, Spain

Literature
Oliva, C., & Milá, G. (Eds.). (2025). Miguel Milá. Diseñador (pre)industrial. La Fábrica; Ajuntament de Barcelona.
Calvera, A. (2024). Miguel Milá: Emocionar con lo simple. Santa & Cole.
Milá, M. (2019). Lo esencial: El diseño y otras cosas de la vida. Lumen.

About
Designed in Barcelona in 1962, the Cestita is the smaller counterpart to his celebrated Cesta lamp and exemplifies his ability to create warm, practical lighting from simple materials. This early version features a handwoven Manila cane structure, produced by Tramo and Polinax, which gives the lamp a lighter and more artisanal character than later wooden editions. Its oval polypropylene shade diffuses the light while remaining lightweight and suitable for portable use. The curved cane frame acts as a protective basket around the shade, bringing together the language of traditional basketry and the needs of modern domestic lighting. The Cestita reflects Milá’s interest in straightforward construction, material economy and designs that adapt naturally to everyday settings. Its compact proportions and integrated handle make it suitable for a variety of interiors, while the combination of woven cane and translucent plastic captures the resourcefulness and experimental spirit of Barcelona design in the early 1960s.

Biography
Miguel Milá Sagnier (1931–2024) was a pioneering Spanish industrial and interior designer born in Barcelona, Spain. He began studying architecture at the Barcelona School of Architecture but did not complete his degree. In the late 1950s, he joined the architecture studio of his brother Alfonso Milá and Federico Correa, where he started working on interior design projects and developing furniture and lighting to meet the practical needs of the spaces they created. At a time when Spain had limited industrial infrastructure and a shortage of materials and manufactured products, Milá developed a design approach rooted in craftsmanship, technical ingenuity and the careful use of available resources. In 1957, he co-founded Tramo (Trabajos Molestos) with architects Francisco Ribas Barangé and Eduardo Pérez Ullibarri, establishing a company through which he could manufacture his own designs. It was here that he developed the early versions of two of his most celebrated lighting designs: the TMC floor lamp (1958) and the TMM floor lamp (1961). These pieces established his characteristic language of functional simplicity, mechanical clarity and timeless proportions. Other iconic designs followed, including the Cesta lamp (1962/1964), with its wooden structure and opal glass shade, the Manila lamp (1961), the M68 pendant lamp (1968), and the A14 fireplace (1977). His furniture designs also extended into public spaces, with works such as the NeoRomántico bench (1995), while his contributions to Barcelona included the design of urban furniture and the interiors of the city's metro carriages.
Milá's work was guided by a belief in updating traditional techniques rather than abandoning them in favour of industrial complexity. He preferred natural and durable materials, simple construction methods and designs that could be repaired, adapted and produced with precision. Often describing himself as a “pre-industrial designer”, he combined the sensibility of a craftsman with the functional principles of modern industrial design. His work brought together architecture, furniture, lighting and interior design, creating a coherent body of work in which practical requirements and formal elegance were closely connected. He was also an important figure in the institutional development of Spanish design. In 1960, he helped establish the industrial design association ADI-FAD alongside André Ricard, Antoni de Moragas, Oriol Bohigas and other leading figures, later serving as its president from 1974 to 1984. He taught at Elisava and Eina in Barcelona and contributed to the recognition of industrial design as a professional discipline in Spain. His work received six Delta Awards, including the first Delta de Oro in 1961 for the TMC lamp and the Special Delta de Oro in 1986. In 1987, he became the first recipient of Spain's National Design Award. Further distinctions included the Creu de Sant Jordi in 1993, the Compasso d'Oro Internazionale for his career in 2008, the National Culture Award of Catalonia in 2010 and the Gold Medal for Merit in Fine Arts in 2016. His designs remain central to the history of modern Spanish design, with many continuing to be manufactured and used decades after their creation.