Arnaud Eubelen 2025 "Lily Down" Floor Lamp

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"Lily Down" Floor Lamp
Manufactured by Arnaud Eubelen
Belgium, 2025
Steel, plastic, concrete, electrical components, found materials

Measurements
35 x 35 x 170h cm
13,8 x 13,8 x 66,9h in

Edition
Unique Piece

Concept
Our lives are written in the ordinary: a gesture repeated, an interface consulted, an object seized without really realizing it. Tracking Habits questions this invisible part of daily life—these automatisms, these intimate or imposed rhythms—that we call habits.
One of the goals of these objects is to bring us back to a certain awareness of action and perception—whether achieved through ergonomics that are more or less constraining, through an aesthetic that departs from convention yet remains closely tied to the reality of our gestures or living place, through a visible manufacturing process, or through an intentional fragility.
Arnaud Eubelen’s work is defined by his deliberate use of reclaimed urban materials, each chosen to underscore the rugged, authentic spirit of the city. His palette typically includes recycled metals, worn glass, discarded concrete, salvaged wood, and exposed electrical components. These elements not only embody the aesthetic of urban decay but also challenge traditional design values by embracing imperfections, wear, and history.
Each material carries a story, sourced from construction sites, industrial waste, and abandoned city spaces. Through his process, Eubelen breathes new life into these discarded fragments, creating functional pieces that resonate with the energy and entropy of the city. His use of visible screws and bolts emphasizes transparency in construction and invites viewers to witness the process behind each piece.
In his hands, these materials become a testament to the beauty found in the overlooked and abandoned, capturing a unique narrative of urban resilience, resourcefulness, and the silent patterns that shape our daily lives.



Designer image

Arnaud Eubelen (Liège, Belgium, 1991) is a designer and sculptor who works in the undefined space between art and functional design, transforming urban waste and discarded materials into evocative furniture and installations. Eubelen’s approach reimagines industrial remnants, reassigning their purpose and recontextualizing them to reveal their intrinsic, often overlooked, qualities. Growing up in the industrial landscape of Liège, he draws inspiration from the raw, dystopian aesthetics of his surroundings, creating pieces that pay homage to the neglected corners of urban life.
From his studio in Brussels, Eubelen collects discarded objects, viewing the city itself as a “material library.” His functional sculptures, shaped by a philosophy of “anti-design,” challenge mainstream design norms by emphasizing simplicity, authenticity, and low-tech assembly. His work is a deliberate subversion of conventional design, embracing urban entropy and the poetry found in abandoned materials. Cycling through Brussels, he sources waste from working-class neighborhoods, repurposing it into pieces that reflect the rugged reality of city life while subtly critiquing mass production and consumerism.
Each creation is a balance between the ephemeral and the functional, intentionally designed to be easily disassembled and reassembled, reflecting his commitment to sustainability and timeless urban aesthetics. His pieces, characterized by their dystopian, industrial feel, underscore a vision of design that is as much a social commentary as it is a tribute to urban resilience and resourcefulness.

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