Afra & Tobia Scarpa 1961 Floor Lamp Model Fantasma

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AFRA & TOBIA SCARPA

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Floor Lamp model “Fantasma”
Manufactured by Flos
Italy, 1961
Metal structure, cocoon diffuser

Measurements
184 cm height
72,4 in height

Provenance
Private collection, Italy

About
Originally designed in 1961 by Afra and Tobia Scarpa for Flos, the Fantasma floor lamp is one of the earliest and most iconic examples of lighting made with a cocoon resin diffuser. Inspired by organic forms and space-age materials, the lamp features a delicate membrane stretched over a slender metal structure, creating a soft, ethereal glow.
The cocoon technique—originally developed for military use—was adopted by Flos under the creative direction of the Scarpas, defining an entire era of Italian lighting design. With its sculptural yet minimal form, Fantasma embodies the experimental spirit of postwar Italian design, where function met poetic materiality.

Biography
Afra (1937–2011) and Tobia Scarpa (b. 1935) are among the most celebrated Italian design duos, known for their ability to combine elegant proportions, material integrity, and functional innovation. Their collaborations with Flos in the 1970s produced lighting pieces that balanced architectural presence with refined industrial details. The Copricorno floor lamp exemplifies their sophisticated approach: a slender aluminium structure with a geometric, sculptural profile that interacts subtly with light and space. Afra and Tobia Scarpa’s work continues to be internationally recognized for its timeless modernity and precise craftsmanship.

Designer image

Afra Bianchin (1937–2011) and Tobia Scarpa (b. 1935), key figures in 20th-century Italian design and architecture, developed a joint career distinguished by formal elegance, material innovation, and a deep connection to artisanal tradition. Their work ranged from furniture design to industrial architecture, solidifying their reputation as pioneers of timeless and functional design.

Both studied at the Università Iuav di Venezia, graduating in 1969, though their collaboration began much earlier. In 1959, they designed the Pigreco chair during a decorating course led by Franco Albini. This early project set the tone for a career dedicated to quality craftsmanship and enduring design.

From the outset, the Scarpas stood apart by rejecting passing trends in favor of well-crafted, lasting products. In 1960, they played a role in establishing Flos, a company they maintained a long-term relationship with, designing iconic lamps such as Fantasma, Biagio, Papillona, and Pierrot. Their lighting designs combined material experimentation with minimalist aesthetics, redefining the use of light in interior spaces.

During the 1960s and 1970s, they solidified their influence by collaborating with prestigious brands like B&B Italia, Cassina, Fabbian, Gavina, Stildomus, and Veas. Among their most celebrated works is the Coronado armchair (1966), a revolutionary piece that pioneered the use of expanded polyurethane, improving comfort and ergonomics without compromising refined aesthetics.

In 1970, their contributions were recognized with the esteemed Compasso d’Oro award, one of the highest honors in industrial design. Simultaneously, they established a significant partnership with Benetton, designing several industrial and commercial spaces, including the knitwear factory in Paderno (1964), production plants in Castrette di Villorba (1980 and 1993), the restoration and conversion of Villa Spineda in Venegazzù (1999), and various retail stores. Their commercial designs extended beyond Benetton, as they also created store concepts for C&B, Geox, and Unifor.

Beyond industrial and commercial design, the Scarpas played a crucial role in restoration projects across the Veneto region. Their architectural interventions carefully balanced innovation with traditional construction techniques, seamlessly blending historical preservation with contemporary solutions.

Afra and Tobia Scarpa’s legacy lives on through their commitment to timeless design—where elegance, functionality, and material research continue to inspire new generations of architects and designers.

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