Side Gallery

Side Gallery






On the occasion of Design Basel 2018, Side Gallery presented an important exhibition “Form follows beauty”. The gallery presented a number of design pieces by Oscar Niemeyer and Pedro Reyes, one contemporary, and on historic Latin American designer. Interesting and historic pieces were shown at the exhibition; Oscar Niemeyer’s historic “Marquesa” bench being one example, designed in 1971 the bench can be seen in entrance all of the Palacio do Planalto (the National Congress building) in Brasila. Moreover, his chaise lounge model “Rio”, as well as his “Alta Chairs”, were also on show. On the occasion of the exhibition “The Man Who Built Brasilia” at the Museum of Contemporary Art in Tokyo, Niemeyer’s chaise lounge model “Rio” was also on show, along with a variety of photos and 3D models of his famous constructions such as Casa da Canoas, and the cathedral of Brasilia.

"The unique creativity of Niemeyer's designs for prominent buildings in his native Brazil earned him respect and fame both at home and abroad"

The unique creativity of Niemeyer's designs for prominent buildings in his native Brazil earned him respect and fame both at home and abroad, he received architectural awards such as the American Institute of Architects Gold Medal. Born in Rio de Janeiro, Oscar Niemeyer studied architecture at Rio's National School of Fine Arts before going on to work with his mentor Lúcio Costa. Following an encounter with Le Corbusier, Niemeyer worked with the modernist master in the design of the Ministry of Education and Health in Rio de Janeiro (1936) under the coordination of Lúcio Costa.

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Oscar Niemeyer, (Rio de Janeiro RJ 1907 - Rio de Janeiro RJ 2012) architect and urbanist, was one of the greatest of both professions ever seen in Brazil, his memorable life and work is renowned in Brazil and across the World. He has undoubtedly been praised for his acclaimed architecture but less know are his personal attributes, his relentless desire to design and his magic resistance to conform to the times.

Niemeyer graduated in architecture from the National School of Fine Arts (Enba), in Rio de Janeiro, in 1934. That same year, he began working at the office of architect and urban planner Lucio Costa (1902-1998). In 1936, the office was commissioned to create the plans for the headquarters of the Ministry of Education and Health (MES), in Rio de Janeiro, under the supervision of the French-Swiss architect Le Corbusier(1887-1965), whom Niemeyer assisted, as a draftsman. Based on the architect's design, Niemeyer suggests changes that were consequently implemented into the construction of the building. Between 1940 and 1944, he designed, at the request of the then mayor of Belo Horizonte, Juscelino Kubitschek (1902-1976), the Pampulha Architectural Ensemble, which is configured as a landmark of his work, as it breaks with the strict concepts of functionalism and uses a language of new forms, of curved surfaces, exploring the plastic possibilities of reinforced concrete. In 1947, he was invited by the United Nations (UN) to participate in the commission of architects in charge of outlining the plans for the future headquarters in New York. His plans, conceptualized Le Corbusier, were chosen as the basis for the definitive project. 

In Rio de Janeiro, in 1955, he founded the magazine Módulo and the following year he began, at the invitation of the President of the Republic, Juscelino Kubitschek, to collaborate in the construction of the new capital of Brazil, Brasília, whose urban plan was entrusted to Lucio Costa. In 1958, he was appointed chief architect of Brasília, where he transferred to and remained until 1960. Among Niemeyer's most important projects, Ibirapuera Park, São Paulo, 1951, the headquarters of the French Communist Party, Paris, 1965 Algiers School of Architecture, Algeria, 1968 the headquarters of Editora Mondadori, Milan, Italy, 1968 and the headquarters of the newspaper L'Humanité, Saint-Denis, France, 1987.