Carlo Hauner 1950s Pair of Armchairs White Version | Side Gallery

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CARLO HAUNER

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Pair of lounge armchairs
Manufactured by Forma
Brazil, 1960s
Caviuna wood, Fabric upholstery

Measurements (each)
82 × 72 × 67h cm
32,3 × 28,3 × 26,4h in

Provenance
Private Collection

Literature
Aric Chen, Brazil Modern: The Rediscovery of Twentieth-Century Brazilian Furniture, The Monacelli Press, New York, 2016.
Marcelo Vasconcellos et al., Móvel Brasileiro Moderno, Aeroplano / FGV Projetos, Rio de Janeiro, 2012.
Ruy Teixeira and Jayme Vargas, Desenho da Utopia: Mobiliário Moderno Brasileiro, Olhares, São Paulo, 2016.

About
Designed in 1953–1954, this pair of lounge chairs exemplifies Carlo Hauner’s distinctive contribution to Brazilian modern furniture during the formative years of Forma. The design combines an exposed caviuna wood structure with separately upholstered seat and backrest elements, creating a striking dialogue between the warmth of Brazilian hardwood and the softness of the textile surfaces.
The chairs are distinguished by their sculptural, gently curved upholstery. Both the seat and the broad backrest rise subtly at their outer edges, producing an enveloping profile while maintaining an overall sense of visual lightness. Four slender, tapered caviuna legs support the composition, their pronounced angles introducing a dynamic counterpoint to the upholstered volumes.
Presented here in the white version, the cream upholstery emphasizes the contrast between the pale textile and the rich tones of the caviuna wood. The restrained combination of materials and the separation between structure, seat, and backrest reflect the experimentation with organic forms, comfort, and exposed construction that characterized Hauner’s Brazilian production during the 1950s.
The design belongs to a pivotal period in the development of postwar Brazilian furniture, when Hauner’s work helped establish a synthesis between European modernist principles, Brazilian materials, and local manufacturing traditions.

Biography
Carlo Hauner (1927–1977) was an Italian-born designer and entrepreneur who played an important role in the development of Brazilian modern furniture during the postwar period. Born in Brescia, Italy, he studied at the Accademia di Brera in Milan before emigrating to Brazil in the late 1940s.
After settling in São Paulo, Hauner established Móveis Artesanal, producing furniture that combined European modernist ideas with Brazilian materials and craftsmanship. His subsequent collaboration with Martin Eisler contributed to the development of Forma, which became one of the most influential manufacturers of modern furniture in Brazil. Contemporary and later documentation of Forma records the company's extensive use of caviuna and its experimentation with tapered structures, upholstery, metalwork, and organic forms.

Designer image

Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977) was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives. His work was at the forefront of modern furniture design in Brazil, which flourished through the 50s and 60s. Eisler's work in partnership with Carlo Hauner (1927-1996) was of particular significance.

Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer, and interior designer. Eisler opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants.

Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale, after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture, and architecture. After purchasing a factory from Lina Bo Bardi and her husband Pietro Bardi, he quickly founded a furniture production company, renaming it Móveis Artesanal.

In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner, marking the beginning of a flourishing partnership. The two men connected, and with Wolf's financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesanal) on a busy street in São Paulo.

Being highly ambitious and with an eye on the international market and the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Eisler attracted exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames, and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler's designs are characterized by Brazilian woods, thin tubular frames, and range from furniture to ceramics and textiles. Some of their most famous designs are the "rib" lounge chair, the "concha/haia" chair or "reversible" lounge chair, both shown in this exhibition. In 1958 Hauner decided to return to Italy to open Forma di Brescia, which catered to, e.g., the embassy of Brazil in Rome and Vatican City. Eventually, Hauner sold his part of the company, leaving Eisler solely at the helm to paint and make wine on Salina, a little isle just above Sicily. After a fulfilled life, the artist, designer, and serial entrepreneur died in 1997. Forma prospered during the 60's and 70's, until Martin Eisler died in 1977. His original company in Argentina still exists and, at the moment, is the sole heir to Hauner and Eisler's Heritage. Although Hauner and Eisler designed and produced many pieces, the depth and quality of their work outlined is only the beginning of their lasting impact on the design world.

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