Afra and Tobia Scarpa 1980s Set of Chairs From New Harmony Collection

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AFRA & TOBIA SCARPA

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Set of Chairs
From “New Harmony” series
Manufactured by Maxalto
Italy, circa 1980
Ebony, walnut wood, leather

Measurements (each)
45 × 38 × 80h cm
17,7 × 15 × 31,5h in

Provenance
Private collection, Italy

Details
Manufacturer's Label

About
The New Harmony chairs by Afra and Tobia Scarpa reflect the designers’ mature approach to furniture as a synthesis of architectural rigor, material clarity, and restrained elegance. Produced by Maxalto circa 1980, the set features a solid wooden structure paired with lacquered wooden seats, emphasizing precision of construction and a sober, timeless aesthetic.
These chairs exemplify the Scarpas’ commitment to structural honesty and proportion, avoiding decorative excess in favor of balanced volumes and tactile surfaces. Designed for refined domestic interiors, the New Harmony collection aligns with Maxalto’s ethos of high-quality craftsmanship and enduring modern design.

Biography
Afra (1937–2011) and Tobia Scarpa (b. 1935) are among the most influential figures of Italian postwar design. Working across architecture, furniture, and industrial design, their practice is characterized by a deep respect for materials, meticulous detailing, and an architectural approach to form.
Throughout their careers, they collaborated with leading Italian manufacturers such as Flos, Cassina, B&B Italia, and Maxalto, producing designs that balance innovation with timeless elegance. Their work remains widely represented in museum collections and is celebrated for its intellectual depth, material refinement, and lasting relevance.

Designer image

Afra Bianchin (1937–2011) and Tobia Scarpa (b. 1935), key figures in 20th-century Italian design and architecture, developed a joint career distinguished by formal elegance, material innovation, and a deep connection to artisanal tradition. Their work ranged from furniture design to industrial architecture, solidifying their reputation as pioneers of timeless and functional design.

Both studied at the Università Iuav di Venezia, graduating in 1969, though their collaboration began much earlier. In 1959, they designed the Pigreco chair during a decorating course led by Franco Albini. This early project set the tone for a career dedicated to quality craftsmanship and enduring design.

From the outset, the Scarpas stood apart by rejecting passing trends in favor of well-crafted, lasting products. In 1960, they played a role in establishing Flos, a company they maintained a long-term relationship with, designing iconic lamps such as Fantasma, Biagio, Papillona, and Pierrot. Their lighting designs combined material experimentation with minimalist aesthetics, redefining the use of light in interior spaces.

During the 1960s and 1970s, they solidified their influence by collaborating with prestigious brands like B&B Italia, Cassina, Fabbian, Gavina, Stildomus, and Veas. Among their most celebrated works is the Coronado armchair (1966), a revolutionary piece that pioneered the use of expanded polyurethane, improving comfort and ergonomics without compromising refined aesthetics.

In 1970, their contributions were recognized with the esteemed Compasso d’Oro award, one of the highest honors in industrial design. Simultaneously, they established a significant partnership with Benetton, designing several industrial and commercial spaces, including the knitwear factory in Paderno (1964), production plants in Castrette di Villorba (1980 and 1993), the restoration and conversion of Villa Spineda in Venegazzù (1999), and various retail stores. Their commercial designs extended beyond Benetton, as they also created store concepts for C&B, Geox, and Unifor.

Beyond industrial and commercial design, the Scarpas played a crucial role in restoration projects across the Veneto region. Their architectural interventions carefully balanced innovation with traditional construction techniques, seamlessly blending historical preservation with contemporary solutions.

Afra and Tobia Scarpa’s legacy lives on through their commitment to timeless design—where elegance, functionality, and material research continue to inspire new generations of architects and designers.

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